FEBRUARY 2004

PUBLICATIONS LISTED HERE WERE NOT NECESSARILY PUBLISHED IN FEBRUARY 2004

Abbott, Megan E., The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir (New York: Palgrave Macmillan, 2002).

Adams, Jad, Hideous Absinthe (Madison: University of Wisconsin Press, 2004).

Archuleta, Elizabeth Ann, A Well-Traveled Coyote: Pueblo Cultural Narratives and Twentieth-Century American Law (Dissertation, Pennsylvania State University, 2002).

Ariza-Velasco, Deyanira, Debate de Valladolid (1550-1551) entre Las Casas y Sepulveda: Compresion y sus repercusiones en derecho y literatura (Dissertation, University of Utah, 2003). Discusses Bartoleme de las Casas, Juan Gines de Sepulveda.

Bailes, Katherine J., The Themis Principle: Mystery and Irrationality in the United States Legal System (Dissertation, Pacifica Graduate Institute, 2003).

Balla, Angela Joy, Immaterial Evidence: Piety and Proof in Early Modern England Dissertation, University of Michigan, 2003). Discusses Amelia Lanyer, John Donne, George Herbert, John Milton.

Bell, Gregory Ryan, Fear of Plot: Conspiracy and the British Novel (Dissertation, University of California, Berkeley, 2002). Discusses Charles Dickens, George Eliot.

Berrettini, Mark L., Private Knowledge, Public Sphere: Investigation and Navigation in Devil in a Blue Dress, 39(1) Cinema Journal 74-89 (1999).

Bertens, Johannes Willem, and Theo d’Haen, Contemporary American Crime Fiction Houndmills, Hampshire: Palgrave Macmillan, 2001).

Beverly, William, On the Lam: Narratives of Flight in J. Edgar Hoover's America (Oxford: University Press of Mississippi, 2003).

Black, David Alan, Law in Film: Resonance and Representation (Urbana: University of Illinois Press, 1999).

Black, Joel Elan, “Arrested for Selling Poetry!” Or, “You Wouldn’t Want Your Children Reading This”: The Historical Significance of the Howl Obscenity Trial (Dissertation, Concordia  University, 2003). Discusses Allen Ginsberg.

Briggs, Laura, “There is No Unauthorized Breeding in Jurassic Park”: Gender and the Uses of Genetics, 12(3) NWSA Journal 92-113 (2000).

Briscoe, P. Annette, The Paths of Law and Rhetoric from Protagoras to Perelman: Case for a Jurisprudential Pedagogy of Argument (Dissertation, Ball State University, 1991). Discusses Chaim Perelman.

Browne, Ray B., Murder on the Reservation (Madison: University of Wisconsin Press, 2004).

Bruccoli, Matthew Joseph and Richard Layman, Hardboiled Mystery Writers: Raymond Chandler, Dashiell Hammett, Ross Macdonald: A Literary Reference (NY: Carroll & Graf, 2002).  2d edition?

Bruner, Jerome S., Making Stories: Law, Literature, Life (Cambridge, MA: Harvard, 2003).

Buinicki, Martin Thomas, Jr., Negotiating Copyright: Authorship and the Discourse of Literary Property Rights in Nineteenth-Century America (Dissertation, University of Iowa, 2003).

Bunker, Nancy Mohrlock, Negotiating Love, Law, and Inheritance Through Marriage in Ten Plays by Shakespeare and Middleton (Dissertation, University of Tulsa, 2003).

Bunyan, Scott, No Order From Chaos: The Absence of Chandler’s Extra-Legal Space in the Detective Fiction of Chester Himes and Walter Mosley, 35(3) Studies in the Novel 339-365 (Fall 2003).

Caputi, Jane, The Age of Sex Crime (Bowling Green State University Popular Press, 1987).

Caputi, Jane, Goddesses and Monsters: Women, Myth, Power, and Popular Culture (University of Wisconsin Press, 2004).

Carr, Robert Isaac, III, The Dialectics of Legal Techne (Dissertation, Wayne State University, 2002).

Castille, Philip Dubuisson, Dashiell Hammett’s The Glass Key: The First “Huey Long” Novel? 14(2) Popular Culture Review 107-115 (Summer 2003).

Cawelti, John G., Mystery, Violence, and Popular Culture (Madison: University of Wisconsin, 2004).

Clark, Kirsten Ann Westenskow, Ronald Reagan’s 1983 “Evil Empire” Speech: A Rhetorical Analysis (Master’s thesis, University of Nevada, Las Vegas, 2003).

Clarke, Lynn Evette, Struggles for Definition in Legislative Discourse: A Case Study of the Defense of Marriage Act, 1996 (Dissertation, Northwestern University, 1996).

Cochran, David, America Noir: Underground Writers and Filmmakers of the Postwar Era (Washington DC: Smithsonian Institution Press, 2000).

Cohen, Michael, Murder Most Fair: The Appeal of Mystery Fiction (Cranbury, NJ: Fairleigh Dickinson University Press, 2000).

Conrad, Kathryn, Locked in the Family Cell: Gender, Sexuality and Political Agency in Irish National Discourse (University of Wisconsin Press, 2004).

Carawan, Edwin, Deianira’s Guilt, 130 Transactions of the American Philological Association 189-237 (2000).

Carmichael, Virginia, The Rosenberg Story(ies): A Literary History (Dissertation, Rice University, 1991). Discusses E. L. Doctorow, Robert Coover.

Danet, Brenda and Byrna Bogoch, "Whoever Alters This, May God Turn His Face From Him on the Day of Judgment": Curses in Anglo-Saxon Legal Documents, 105(416) Journal of American Folklore 132-165 (Spring 1992).

Davis, Owen, Cunning-Folk: Popular Magic in English History (London: Hambleton and London Press, 2002). Includes a chapter on cunning folk and the Law.

Day, David D., “Hafa Nu Ond Geheald Hus Selest”: Jurisdiction and Justice in Beowulf (Dissertation, Rice University, 1992).

DellaCava, Frances A., and Madeline H. Engel, Sleuths in Skirts: Analysis and Bibliography of Serialized Female Sleuths (NY: Routledge, 2002).

DeWaard, Jeanne Elders, The crime of womanhood:  Ambivalent intersections of sentiment and law in Nineteenth-Century American Culture (Dissertation, University of Miami, 2003).

Diggs, Terry Kay, The Lasting Appeal of Inherit the Wind, Legal Times, May 6, 1996, at 66.

Downes, Lilli M., Blame and Penance: Gender, Class, and Sexual Victimization in Romance/Confession Magazines, 1964-1995 (Dissertation, University of Delaware, 1997).

Dubose, Martha Hailey, and Margaret C. Thomas, Women of Mystery: The Lives and Works of Notable Women Crime Novelists (New York: St. Martin’s Minotaur, 2000).

Effross, Walter A., Piracy, Privacy, and Privatization: Fictional and Legal Approaches to the Electronic Future of Cash, 46 American University Law Review 961 (April 1997).

Evans, Michael, The Death of Kings (London: Hambleton and London, 2003). Some discussion of the treatment of the deaths of English kings in literature.

Faraone, Christopher A., An Accusation of Magic in Classical Athens (Ar. Wasps 946-48), 119 Transactions of the American Philological Association 149-160 (1989).

Fowler, Elizabeth, The Contingencies of Person: Studies in the Poetic and Legal Conceits of Early Modern England (Dissertation, Harvard University, 1992).

Frank, Lawrence, Victorian Detective Fiction and the Nature of Evidence: The Scientific Investigations of Poe, Dickens, and Doyle (Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003).

Franklin, J. Jeffrey, The Victorian Discourse of Gambling: Speculations on Middlemarch and The Duke's Children, 61(4) ELH 899-921 (Winter 1994).

Fuchs, Esther, Gender and Holocaust Docudramas: Gentile Heroines in Rescus Films, 22(1) Shofar 80-94 (2003).

Gieskes, Edward, Representing the Professions: Administration, Law and Theater in Early Modern England (University of Delaware Press, 2006).

Gillis, Stacy, and Philippa Gates, The Devil Himself: Villainy in Detective Fiction and Film (Westport: Greenwood Press, 2002).

Gunning, Sandra, Race, Rape, and Lynching: The Red Record of American Literature, 1890-1912 (NY: Oxford University Press, 1996).

Haining, Peter, The Classic Era of American Pulp Magazines (Chicago: Chicago Review Press, 2001).

Haining, Peter, The Classic Era of American Pulp Magazines (London: Prion Books, 2000).

Halloran, Jennifer Ann, Keeping the Peace: Detective Fiction and the British Imperial Project, 1844-1939 (Dissertation).

Harding, Roberta M., Capital Punishment as Human Sacrifice: A Societal Ritual as Depicted in George Eliot's Adam Bede, 48 Buffalo Law Review 175 (2000).
 

Haugen, Hayley Mitchell, Readings on the Short Stories of Edgar Allan Poe (San Diego, CA: Greenhaven Press, 2001).

Haut, Woody, Heartbreak and Vine: The Fate of Hardboiled Writers in Hollywood (London ?: Serpent’s Tail, 2002).

Herman, Felicia, Hollywood, Nazism, and the Jews, 1933-41, 89(1) American Jewish History 61-89 (2001).

Herrington, H. W., Witchcraft and Magic in the Elizabethan Drama, 32(126) Journal of American Folklore 447-485 (October-December 1919).

Hinton, Laura, The Heroine’s Subjection: Clarissa, Sadomasochism, and Natural Law, 32(3) Eighteenth-Century Studies 293-308 (1999).

Holtman, Janet, Documentary Prison Films and the Production of Disciplinary Institutional “Truth”, 13(1) Postmodern Culture (2002)(available at http://muse.jhu.edu/journals/postmodern_culture/v013/13.1holtman.html).

Horsley, Lee, The Noir Thriller (NY: Palgrave, 2001).

Howarth, Joan, Adventures in Heteronormativity: The Straight Line From Liberace to Lawrence, 5 Nevada Law Journal 260 (2004).

Hutton, Ronald, Witches, Druids and King Arthur (London: Hambleton and London, 2003). Some discussion of the themes in the works of literature and myth.

Images of the Corpse: From the Renaissance to Cyberspace (Elizabeth Klaver ed.; University of Wisconsin Press, 2004).

Kamir, Orit, Stalking Narratives and the Law (Ann Arbor: University of Michigan Press, 2001).Includes valuable bibliography.

Karno, Valerie, Law and Visual Culture: Legal Subjectivity and the Awareness of Appearance, 54(4) American Quarterly 709-718 (2002).

Langer, Ulrich, The Renaissance Novella as Justice, 52(2) Renaissance Quarterly 311-341 (Summer 1999).

Layman, Richard, Dashiell Hammett’s The Maltese Falcon: A Documentary Volume (Detroit: Gale Group, 2003).

Lee, Susanna, The Menace of the Post-Hardboiled Maverick: Jim Thompson’s Pop. 1280 and Modern Television Detective Drama, 37(1) Journal of Popular Culture 43-55 (August 2003).

 Leff, Leonard J., Hollywood and the Holocaust: Remembering The Pawnbroker, 84 (4) American Jewish History 353 (December 1996).

Lehman, Peter, "Don't Blame It on a Girl!": Female Rape-Revenge Films, in Screening the Male: Exploring Masculinities in Hollywood Cinema (Steven Cohan and Ina Rae Hark ed.; NY: Routledge, 1993).

Lehmann, Courtney, Strictly Shakespeare? Dead Letters, Ghostly Fathers and the Cultural Pathology of Authorship in Baz Luhrmann’s William Shakespeare’s Romeo and Juliet, 52(2) Shakespeare Quarterly 189-221 (2001).

Lenz, Timothy O., Law in Film & Television Crime Stories (NY: Peter Lang, 2003)(Politics, Media and Popular Culture; 7).

Levine, Andrea, Sidney Poitier’s Civil Rights: Rewriting the Mystique of White Womanhood in Guess Who’s Coming to Dinner and In the Heat of the Night, 73(2) American Literature 365-386 (2001).

Little, Arthur L., Shakespeare Jungle Fever: National-Imperial Re-Visions of Race, Rape and Sacrifice (Cambridge: Cambridge University Press, 2001).

Loebel, Thomas Leon, Legal Fictions: Representing Justice in Nineteenth-Century American Literature (Dissertation, State University of New York, Buffalo, 1996).

Lozada, Robert E., Politics, Protest, and Propaganda in Hollywood's Golden Age (Master's thesis, Florida Atlantic University, 1996).

Macdonald, Gina and Andrew Macdonald, Shaman or Sherlock?: The Native American Detective (Westport: Greenwood Press, 2002).

Magistrale, Tony, and Sidney Poger, Poe’s Children: Connections Between Tales of Terror and Detection (NY: Peter Lang, 2001).

Malmgren, Carl Darryl, Anatomy of Murder: Mystery, Detective, and Crime Fiction (Bowling Green, OH: Bowling Green State University Popular Press, 2001).

Malmud, Anne Deborah, Widows, Spinsters, and Modern Mannish Maidens: Femmes Soles in Nineteenth-Century English Law and Literature (Dissertation, Columbia University, 1996).

Maule, Jeremy, Donne and the Words of the Law, in John Donne’s Professional Lives 19-36 (David Colclough ed.; Cambridge, England: Brewer, 2003)(Studies in Renaissance Literature).

McCann, Sean, Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism (Durham: Duke University Press, 2000).

McCollum, Jennifer Murphy, “A Quietus and a Kiss”: Anna Katharine Green and the Criminal Romance (Dissertation).

McMullen, James, Confucian Perspectives on the Ako Revenge: Law and Moral Agency, 58(3) Monumenta Nipponica 293-315 (Autumn 2003).

Merrill, Hugh, The Red Hot Typewriter: The Life and Times of John D. MacDonald (NY: Thomas Dunne Books, 2000).

Morgan, Edward M., The Crying of Rule 49, 54(1) University of Toronto Law Journal 45-74 (Winter 2004).

Moss, Robert F., Raymond Chandler: A Documentary Volume (Detroit: Gale Group, 2002).

Murav, Harriet, Law as Limit and the Limits of the Law in Anna Karenina, in Approaches to Teaching Tolstoy’s Anna Karenina 74-82 (Liza Knapp and Amy Mandelker eds.; NY: Modern Language Association, 2003).

Myrsiades, Linda, Mining the Law/Literature Enterprise, 30(1) College Literature 169-180 (Winter 2003).

Nevins, Francis M., Cape Fear Ahead: Transforming a Thrice-Told Tale of Lawyers and Law, 24(3/4) Legal Studies Forum 611-644 (2000).

Parkin-Speer, Diane, Allegorical Legal Trials in Spenser’s The Faerie Queene   23(3 Sixteenth Century Journal 494-505 (Autumn 1992).

Pepper, Andrew, The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class (Edinburgh: Edinburgh University Press, 2000).

Peters, Elizabeth and Kristen Whitbread, Amelia Peabody’s Egypt: A Compendium (NY: William Morrow Press, 2003).

Phillips, Gene D., Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film  Noir (Lexington: University Press of Kentucky, 2000).

Plain, Gill, Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (Edinburgh: Edinburgh University Press, 2001).

Quay, James Donald, “Expose Thyself to Feel What Wretches Feel”: Doctor Faustus and Samson Agonistes as Tragedies of Despair (Dissertation, University of California, Berkeley, 1981).

Rafter, Nicole, Shots in the Mirror: Crime Films and Society (Oxford: Oxford University Press, 2000).

Reddy, Maureen, T., Traces, Codes, and Clues: Reading Race in Crime Fiction (Brunswick, NJ: Rutgers University Press, 2003).

Reynolds, Moira Davison, Women Authors of Detective Series: Twenty-One American and British Writers, 1900-2000 (Jefferson, NC: McFarland, 2001).

Robinson, Benjamin, The Specialist on the Eichmann Precedent: Morality, Law, and Military Sovereignty, 30(1) Critical Inquiry 63-97 (Autumn 2003).

Roth, Lawrence, Inspecting Jews: American Jewish Detective Stories (Piscataway, NJ: Rutgers University Press, 2004).

Roth, Marty, Foul and Fair Play: Reading Genre in Classic Detective Fiction (Athens: University of Georgia Press, 1995).

Samuelson, David R., Hart, Devlin, and Arthur Miller on the Legal Enforcement of Morality, 76 Denver University Law Review 189 (1998).

Samuelson, David R., "I Quit This Court": Is Justice Denied in Arthur Miller's The Crucible? 2 University of Chicago Law School Roundtable 619 (1995)

Schulman, Jana Kate, Women Between the Texts: Legal License and Literary Discourse in Medieval Iceland (Dissertation, University of Minnesota, 1995). Two volumes. Discusses Gragas, Jarnsida, Jonsbok.

Schwartz, Richard B., Nice and Noir: Contemporary American Crime Fiction (Columbia, Missouri: University of Missouri Press, 2002).

Seaman,Amanda, Bodies of Evidence: Women,Society, and Detective Fiction in 1990s Japan (Honolulu: University of Hawaii Press, 2004).

Seligo, Carlos Rezende, The Origin of Science Fiction in the Monsters of Botany: Carolus Linnaus, Erasmus Darwin, Mary Shelley (Dissertation, University of Washington, 1996).

Slotkin, Richard, Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America (NY: Harper, 1993).

Slotkin, Richard, Regeneration Through Violence: The Mythology of the American Frontier, 1600-1800 (Middletown, CT: Wesleyan University Press, 1973).

Sicher, Efraim, George Eliot’s “Glue Test”: Language, Law, and Legitimacy in Silas Marner, in George Eliot’s Silas Marner 163-181 (Harold Bloom ed., Broomall, PA: Chelsea House, 2003)(Modern Critical Interpretations).

Skulsky, Harold, Pain, Law and Conscience in Measure for Measure, 25(2) Journal of the History of Ideas 147-168 (April/June 1964).

Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction (Dorothea Fischer-Hornung and Monika Mueller, eds; Fairleigh Dickinson University Press, 2004).

Smith, Erin A., Hard-Boiled: Working Class Readers and Pulp Magazines (Philadelphia: Temple University Press, 2000).

Spectral America: Phantoms and the National Imagination (Jeffrey Andrew Weinstock ed.; University of Wisconsin Press, 2004).

Spinosa, Charles David, Shakespeare and Common-Law Understanding (Dissertation, University of California, Berkeley, 1992).

Stelzmann, Rainulf A., Die Welt als schmerzensreicher Rosenkranz: Die Kriminalromane Paul C. Dohertys, 221(12) Stimmen der Zeit 813-22 (December 2003).

Stiles, Susan Elisabeth, Judgment on Trial: The Aesthetics of Adultery in Early Modern France (Dissertation, Harvard University, 1995).

Stocker, Barry, Law and Form: Joyce, Beckett, and Philosophy (Dissertation, University of Sussex, 1996).

Sweeney, Megan Louise, Doing Time, Reading Crime: Rethinking “The Female Criminal” (Dissertation, Duke University, 2002).

Thomas, Ronald R., Detective Fiction and the Rise of Forensic Science (Cambridge: Cambridge University Press, 2003, reprint 1999).

Trainin, Sarah Jean, The Rise of Mass Culture Theory and Its Effect on Golden Age Detective Fiction (Dissertation --).

Velissariou, Aspasia, Class and Gender Destabilization in Webster’s The Devil’s Law-Case, 63 Cahiers Elisabethains 71-88 (April 2003).

Vermillion, Mary, Capricious Testators and Marriageable Women: Last Wills in Eighteenth-Century Novels (Dissertation, University of Iowa, 1993).

Voss, Karen, Replacing L. A.: Mi Familia, Devil in a Blue Dress, and Screening the Other Los Angeles, 20(3) Wide Angle 157-181 (1998).

Walsh, Piper Ann, Articulating the Unspeakable: Trauma and Representation in the Rape of the Mother-Maiden (Master’s thesis, California State University, San Marcos, 2001).

Welsh, Andrew, Doubling and Incest in the Mabinogi, 65(2) Speculum 344-362 (April 1990).

Williams, Edwin Owen, Trials of Conscience: Criminalizing Religious Dissidence in Elizabethan England (Dissertation, University of Pennsylvania, 2003).

Willis, Sharon, Hardware and Hardbodies: What Do Women Want? A Reading of Thelma and Louise, in Film Theory Goes to the Movies -- (Jim Collins, Hilary Radner, and Ava Preacher Gardner, eds.; NY: Routledge and Kegan Paul, 1993).

Wilson, Charles E., Walter Mosley: A Critical Companion (Westport: Greenwood Press, 2003).

Wilson, Luke, Theaters of Intention: Drama and the Law in Early Modern England (Palo Alto: Stanford University Press, 2000).

Wright, Kenneth Patrick, The Law and Its Enforcers in Faulkner’s Trilogy (Master’s thesis, University of North Texas, 1989).

Zeitlin, Froma I., The Motif of the Corrupted Sacrifice in Aeschylus' Oresteia, 96 Transactions and Proceedings of the American Philological Association 463-508 (1965).

Zynda, Thomas H., The Metaphoric Vision of Hill Street Blues, 14 Journal of Popular Film & Television 101-112 (Fall 1986).