PUBLICATIONS ARCHIVE
JANUARY 2001
N. B. Publications listed here were not necessarily published in January 2001.
Asimow, Michael, Lawyers as fallen idols: whatever happened to our golden image? Nat'l L. J., February 8, 1999, at A22.
Atack, Margaret, L'Armee des ombres and Le Chagrin et la pitie: Reconfigurations of Law, Legalities and the State in Post-1968 France, in European Memories of the Second World War 160-174 (Helmut Peitsch, Charles Burdett, and Claire Gorrara eds.; 1999).
Baldassare, Michael A., Cruella de Vil, Hades, and Ursula the sea-witch: how Disney films tea ch our children the basics of contract law, 48 Drake Law Review 333 (2000).
Bannon, Cynthia J., The Brothers of Romulus: Fraternal Pietas in Roman Law, Literature, and Society (1997).
Best, Stephen Michael, The Subject of Property: Race, Prosthesis, and Possession in American Culture, 1865-1927 (Dissertation, University of Pennsylvania, 1997).
Black, David A., Law in Film (1999).
Bornedal, Peter, The Law of the Name: The Imaginary Recipient in Corneille's Le Cid, 52(3) Orbis Litterarum 157-177 (1997).
Bosmajian, Hamida, Mildred Taylor's Story of Cassie Logan: A Search for Law and Justice in a Racist Society, 24 Children’s Literature 141-160 (1996).
Brooks, Peter, Storytelling without Fear? Confession in Law and Literature, in Law’s Stories: Narrative and Rhetoric in the Law 114-134 (Peter Brooks and Paul Gewirtz eds.; 1996).
Brunsdon, Charlotte, Structure of Anxiety: Recent British Television Crime Fiction, 39(3) Screen 223-243 (Autumn 1998).
Carver, Anne, Colonel Blimp versus Judgment at Nuremberg, in Modern War on Stage and Screen/Der Moderne Krieg auf der Buhne 509-522 (Wolfgang Gortschacer and Holger Klein eds.; 1997).
Cauthen, Cramer R., and Donald G. Alpin III, The Gift Refused: The Southern Lawyer in To Kill a Mockingbird, The Client, and Cape Fear, 19(2) Studies in Popular Culture 257-275 (October 1996).
Clarke, Alan, 'You're Nicked!': Television Police Series and the Fictional Representation of Law and Order, in Come on Down? Popular Media and Culture in Post-War Britain 232-253 (Dominic Strinati and Stephen Wagg eds.; 1992).
Cooley, Ronald W., George Herbert's Country Parson and the Enclosure of Professional Fields, 19(1-2) George Herbert Journal 1-25 (Fall 1995/Spring 1996).
Corcos, Christine A., An International Guide to Law and Literature Studies (Buffalo: W. S. Hein, 2000). Two volumes.
Cornett, Judy M., Hoodwink'd by Custom: The Exclusion of Women from Juries in Eighteenth-Century English Law and Literature, 4(1) William and Mary Journal of Women and the Law 1-89 (Winter 1997).
Crane, Gregg D., The Path of Law and Literature, 9(4) American Literary History 758-775 (Winter 1997).
Crew, B. Keith, Acting Like Cops: The Social Reality of Crime and Law on TV Police Dramas, in Marginal Conventions: Popular Culture, Mass Media and Social Deviance 131-143 (Clinton R. Sanders ed.; 1990).
Davis, William A., Jr., The Rape of Tess: Hardy, English Law, and the Case for Sexual Assault, 52(2) Nineteenth Century Literature 221-231 (September 1997).
DeLombard, Jeannine Marie, 'Eye-Witness to the Cruelty': Literary Abolitionism and the Antebellum Culture of Testimony (Dissertation, University of Pennsylvania, 1998).
Dershowitz, Alan M., Life Is Not a Dramatic Narrative, in Law’s Stories: Narrative and Rhetoric in the Law 99-105 (Peter Brooks and Paul Gewirtz eds.; 1996).
Dolan, Frances E., Home-Rebels and House-Traitors: Murderous Wives in Early Modern England, 4(1) Yale Journal of Law and the Humanities 1-31 (Winter 1992).
Dole, Carol M., Woman with a Gun: Cinematic Law Enforcers on the Gender Frontier, in Bang BANG, Shoot SHOOT!: Essays on Guns and Popular Culture 23-32 (Murray Pomerance and John Sakeris, eds.; 1999).
Donovan, Nancy McIlvaine, American Tragedies: Representations of Crime and the Law in Twentieth Century Discourse (Dissertation, Miami University 1997).
Evans, Mary, The Love of a Good Woman: Morality v. Law in Clint Eastwood's Unforgiven, 4(3) Women: A Cultural Review 313-316 (Winter 1993).
Ferguson, Robert A., Untold Stories in the Law, in Law’s Stories: Narrative and Rhetoric in the Law 84-98 (Peter Brooks and Paul Gewirtz eds.; 1996).
Foster, Teree E., But Is It Law? Using Literature to Penetrate Societal Representations of Women, in Beyond Portia: Women, Law, and Literature in the United States 310-326 (Jacqueline St. Joan and Annette Bennington McElhiney, eds.; 1997).
Freeland, Natalka, Trash Fiction: The Victorian Novel and the Rise of Disposable Culture (Dissertation, Yale University, 1998).
Gaakeer, Jeanne, 'What has law got to do with it?': Over recht, literatuur en The Merchant of Venice, 3(2) Folio: Shakespeare Genootschap van Nederland en Vlaanderen 12-26 (1996).
Gable, Harvey L., Jr., Walden Two, Postmodern Utopia, and the Problems of Power, Choice, and the Rule of Law, 41(1) Texas Studies in Literature and Language 1-15 (Spring 1999).
Gatto, Katherine Gyekenyesi, Sexual and Political Marginality in Communist Hungary: Erzsebet Galgoczi's Torvenyen belul (Within the Law) and Karoly Makk's Egymasra nezve (Another Way), 2 Anuario de Cine y Literatura en Español 73-80 (1996).
Grant, Judith, Prime Time Crime: Television Portrayals of Law Enforcement, 15(1) Journal of American Culture 57-68 (Spring 1992).
Grist, Leighton, Unforgiven, in The Book of Westerns 294-301 (Ian Cameron and Douglas Pye eds.; 1996).
Grossman, Jonathan H., The Art of Alibi: A History of the Novel and the Law Courts (Dissertation, University of Pennsylvania, 1996).
Hawley, William M., Shakespearean Tragedy and the Common Law: The Art of Punishment (1999).
H-Law Film Review: Haddon on Amistad
Hibbitts, Bernard, De-scribing Law
Hom, Gordon Eng, From 'Dirty Harry' to 'Hunter': Law Enforcement as Entertainment (Dissertation, Northwestern University, 1996).
Houen, Alex, The Secret Agent: Anarchism and the Thermodynamics of Law, 65(4) ELH 995-1016 (Winter 1998).
Houston, Gail Turley, Reading and Writing Victoria: The Conduct Book and the Legal Constitution of Female Sovereignty, in Remaking Queen Victoria 159-181 (Margaret Homans and Adrienne Munich eds.; 1997).
Jones, Ann Rosalind, Revenge Comedy: Writing, Law, and the Punishing Heroine in Twelfth Night, The Merry Wives of Windsor, and Swetnam the Woman-Hater, in Shakespearean Power and Punishment: A Volume of Essays 23-38 (Gillian Murray Kendall ed.; 1998).
Kayman, Martin A., The Reader and the Jury: Legal Fictions and the Making of Commercial Law in Eighteenth-Century England, 9(4) Eighteenth-Century Fiction 373-394 (July 1997).
Kleinhans, Chuck, Class in Action, in The Hidden Foundation: Cinema and the Question of Class 240-263 (David E. James and Rick Berg, eds.; 1996).
Korobkin, Laura Hanft, The Scarlet Letter of the Law: Hawthorne and Criminal Justice, 30(2) Novel 193-217 (Winter 1997).
Lahey, Michael Edward, Constructing Justice: Faulkner and Law (Dissertation, University of Alberta, 1996).
Larsen-Hoeckley, Cheri Lin, Literary Ladies in Anomalous Positions: Victorian Women Writers and the Married Women's Property Movement (Dissertation, University of California, Berkeley, 1997).
Law, Lawyers, Literature, Narrative and Film Articles: Index (Legal Studies Forum)
Leenerts, Cynthia A., Kipling's Vision of Law in Kim, 25(4) Literary Criterion (India) 48-61 (1990).
Legal Reelism: Movies as Legal Texts (John Denvir ed.; 1996).
Lindahl, Carl, Beowulf, Old Law, Internalized Feud, 53(3) Southern Folklore 171-191 (1996).
Lucia, Cynthia, "Has the Jury Reached Its Verdict?": Deliberating the Case of Cinema and the Law, 25(1) Cineaste 14-18 (1999).
Lynch, G. Andrew, The Agency of the Secret: The Secret, Confidence, and the Law in Joseph Conrad's Novels (Dissertation, New York University, 1997).
Maza, Sara, The Theater of Punishment: Melodrama and Judicial Reform in Prerevolutionary France, in From the Royal to the Republican Body: Incorporating the Political in Seventeenth- and Eighteenth-Century France 182-197 (Sara E. Melzer and Kathryn Norberg eds.; 1998).
Medine, David, Law and Kurosawa's Rashomon, in ICLA ‘91 Tokyo: The Force of Vision, VI: Inter-Asian Comparative Literature 470-476 (Koji Kawamoto, Heh-hsiang Yuan, and Yoshihiro Ohsawa eds.; 1995).
Medine, David, Law and Kurosawa's Rashomon, 20(1) Literature/Film Q. 55-60 (1992).
Minow, Martha, Stories in Law, in Law’s Stories: Narrative and Rhetoric in the Law 24-36 (Peter Brooks and Paul Gewirtz eds; 1996).
Moddelmog, William Evan, Reconstituting Authority: American Fiction in the Province of the Law, 1880-1920 (Dissertation, University of California, Los Angeles, 1997).
Morey, James H., Plows, Laws, and Sanctuary in Medieval England and in the Wakefield Mactacio Abel, 95(1) Studies in Philology 41-55 (Winter 1998).
Municio Sanz, Gregorio, Azorin y el derecho, 4 Anales Azorinianos 567-573 (1997?)
Nadel, Alan, God's Law and the Wide Screen: The Ten Commandments as Cold War 'Epic', 108(3) PMLA 415-430 (May 1993).
Nevins, Francis M., Through the Great Depression on Horseback: Legal Themes in Western Films of the 1930s, in Legal Reelism: Movies as Legal Texts 44-69 (John Denvir ed.; 1996).
Papke, David Ray, Myth and Meaning: Francis Ford Coppola and Popular Response to the Godfather Trilogy, in Legal Reelism: Movies as Legal Texts 1-22 (John Denvir, ed.; 1996).
Peach, Linden, Gunslingers and Gamblers: Law and Lawlessness in Leslie Norris's Short Fiction, 5 Welsh Writing in English 130-149 (1999).
Pencak, William, Njal's House: Law and Justice in Medieval Icelandic Sagas, in Spaces and Significations 67-80 (Roberta Kevelson ed.; 1996).
Petro, Patrice, Criminality or Hysteria? Television and the Law, 10(2) Discourse 48-61 (Spring/Summer 1988).
Ramos, Julio, The Law Is Other: Literature and the Constitution of the Juridical Subject in Nineteenth-Century Cuba, 11(1-2) Annals of Scholarship 1-35 (1996).
Robson, Ruthann, Convictions: Theorizing Lesbians and Criminal Justice, in A Queer World: The Center for Lesbian and Gay Studies Reader 418-430 (Martin Duberman ed.; 1997).
Rosenberg, Norman, Law Noir, in Legal Reelism: Movies as Legal Texts 280-302 (John Denvir ed., 1996).
Royot, Daniel, Perspectives transculturelles sur la chasse a l'homme: The Oxbow Incident et The Ballad of Gregorio Cortez, 18 Annales du Centre de Recherches sur l’Amerique Anglophone 203-210 (1993).
Sanders, Mark, Mark, The law in film: images of the literary lawyer, 87 Ill. B. J. 441 (1999).
Sandler, Stephanie, The Law, The Body, and the Book: Three Poems on the Death of Pushkin, 23(3) Canadian/American Slavic Studies 281-312 (Fall 1989).
Scheil, Katherine West, Sir William Devenant's Use of Shakespeare in The Law against Lovers, 76(4) Philological Quarterly 369-386 (Fall 1997).
Schoenfeld, Mark, The Family Plots: Land and Law in John Galt's The Entail, 24(1) Scottish Literary Journal 60-65 (May 1997).
Schroeder, Jeanne Lorraine, The Vestal and the Fasces: Hegel, Lacan, Property, and the Feminine (1998).
Sherwin, Richard, When Law Goes Pop (2000).
Shevlin, Eleanor F., The Plots of Early English Novels: Narrative Mappings Rooted in Land and Law, 11(4) Eighteenth-Century Fiction 397-402 (July 1999).
Sicher, Efraim, George Eliot's 'Glue Test': Language, Law, and Legitimacy in Silas Marner, 94(1) Modern Language Review 11-21 (January 1999).
Silar, Theodore Irvin, Feudal Land Law Terminology in Selected Works of Geoffrey Chaucer (Dissertation, Lehigh University, 1998).
Sokol, B. J. and Mary Sokol, Shakespeare and the English Equity Jurisdiction: The Merchant of Venice and the Two Texts of King Lear, 50(200) Review of English Studies 417-439 (November 1999).
Sokol, B. J., Prejudice and Law in The Merchant of Venice, 51 Shakespeare Survey 159-173 (1998).
Solomon, Angela Hynes, Crime Narrative as Social Literature in Nineteenth Century Germany (Dissertation, Rutgers University, New Brunswick, 1996).
Stack, Richard, Prime Time Crime: Television's Influence on Public Understanding of the Criminal Justice System, 4 Mid-Atlantic Almanac 74-87 (1995).
Staley, Owen Denis, 'No Law but Wit': Returning a Verdict on Sidney's 'Defences' (Dissertation, University of California, Los Angeles, 1996).
Tupper, Kari Lynn, Women and Crime: Desire, Transgression and Confession in American Law and Literature (Dissertation, University of Washington, 1997).
Tushnet, Mark, Class Action: One View of Gender and Law in Popular Culture, in Legal Reelism: Movies as Legal Texts 244-260 (John Denvir ed.; 1996).